Born in Sigmaringen and now working in Berlin, Weber’s work explores our ideas about what is natural and what happens when this is disrupted. The new exhibition includes a life-sized moving figure of a man running off the roof, a sun mirror, artificial rain and a tornado made from a hoover. At this show, entitled If You Leave Me I’m not Coming, you will not be looking at paintings on a wall but sculptures occupying all the space in the gallery – and I mean all the space. For example, the cartoon-like ‘running man’ will launch himself from the gallery roof and be suspended in mid air. The sculpture has a motor in its chest which drives the pistons to make the man’s legs move.
There is also a giant wind chime, measuring four-and-a-half metres. It will be tuned to the ‘tritonic’ scale, which was banned during the Middle Ages because it was believed to summon the devil. Meanwhile, Weber’s ‘bee paintings’ have been created by bees themselves; during their first cleansing flight of the year they excrete on white surfaces, in this case on canvases.
Alongside Weber’s solo exhibition, there is a second exhibition at curated by the artist himself. The show, entitled Already There, is a collection of 200 objects and art works loaned from collections at Tate, the Science Museum, The Ashmolean, University College London and the Bode Museum in Berlin.
Describing the objects as the ‘foundations’ of his art works, they include tools used by pre-historic man; Bronze Age animal sculptures; a bird cage from a lunatic asylum; an armadillo skeleton; brain coral and Regency anatomical models complete with lift-out organs. The objects will be displayed alongside loans from Tate, chosen by Weber, dating back to 1661 and some of the artists include Louise Bourgeois, William Hogarth and Gilbert and George.
The new exhibition opens on Saturday and run until 8th January. Entry to Nottingham Contemporary is free.