Following my first viewing of Christian Marclay’s The Clock at Nottingham’s New Art Exchange, I had been looking forward to the full 24-hour screening last Friday which I mentioned in my previous entry.
Visiting an art gallery in the wee small hours added a surreal element to this already unconventional experience. At times, the clock inches slowly along before picking up the pace and moving to a crescendo, with the most dramatic moment coming at midnight (and there are a wealth of film clips depicting the New Year’s Eve countdown). The narrative – which at first seems deconstructed by editing full length films into short clips – is in fact created again under the new umbrella theme of ‘time’. Old and new are fused seamlessly together so that they both exist in a continuing present but one that is creeping forward leaving all the fictional worlds and characters in a shadowy past.